The Collection of Architecture was founded in 1986, upon the first
purchase of the works of Vojtech Vilhan on 30 April 1986, as part of the
Cabinet of Applied Arts and Design.
Dr. K. Kubičková,
the curator, began to build the architecture collection of the 19th and
20th centuries as a temporary collection for the planned Gallery of
Architecture, Applied Arts and Design (Galéria architektúry, úžitkového
umenia a dizajnu - GAUUDI) in Bratislava. The collection grew from
transfers from other institutions (particularly the Slovak National
Museum), acquisitions and donations from the property and estates of
architects in Slovakia.
In spite of the support of the
Ministry of Culture, the mayor of Bratislava, the Association of Slovak
Architects (ASA, today's Association of Architects of Slovakia) and the
State /Research/ Project and Standardisation Institute in Bratislava,
the GAUUDI project was not completed. The designated site of the
gallery, the reconstructed palace of Count Qido Karácsonyi (built
between 1883 and 1884) became part of the premises of the Presidential
Palace after 1989 and thus it acquired a different purpose.
Since
1990, GAUUDI had operated as an independent institute of the SNG with
K. Kubičková as its chief curator. However, this relative independence
was short lived. In 1992, the GAUUDI Institute was closed by SNG
director Juraj Žáry and the Collection of Architecture, Applied Arts and
Design was created as an integral part of the SNG collections. Further
purchases and donations from the estates of architects were added in the
1990s and even sporadic acquisitions and exhibitions were
re-established after 2005. The heterogeneous nature of the collection
founded and developed in this way persists even today; the distribution
of collectional-archival items between the Collection of Architecture
and the SNG Archive partially deals with that.
From 1986 to
1992, the collection contained works from the 1970s (V. Vilhan, G.
Cimmermannová) and the works of the first generation of modernists in
Slovakia, particularly the designs of M. M. Scheer (from 1923 to 1961,
acquired in 1987), A. Szonyi and F. Wimmer (individual and joint works
from the beginning of the 1930s until 1947, acquired in 1988 and 1990)
and O. Winkler (school work from the German Technological University in
Prague (1927-33) and the designs from the period of 1936-1938, 1945 and
1951, all acquired in 1987).
In 1991, this part of the collection was complemented by Wimmer's personal archive. In addition to family and period photographs, free drawings and aquarelles from 1916 to 1919, it also contains the design of the Mask of the Egyptian, which was created for Wimmer by G. Leweke-Weyde (signed W., undated) for the masquerade ball of Bratislava's Kunstverein art society (1885-1945) in Reduta. It not only indicates the interest of modernists in pre-classical art and the co-influence of individual arts in the creation of a modern lifestyle, but also the carnival upheaval of modernity.
Later, the key and most extensive sets of the
collection were added, featuring the designs of builder and architect M.
M. Harminc and architect M. E. Belluš, a graduate in architecture at
the Prague Technical University, the two founders of architecture of the
19th and 20th centuries on the territory of Slovakia. Harminc's set
contains all the phases of his work from early historizing and eclectic
designs up to late designs with an inclination to the functionalist
programme (in which Belluš cooperated at the beginning of his career).
Representing
the further development and verification of this programme is the
continuing and abundant collection of separate designs by academician
Belluš, from his early work at the beginning of the 1920s to those from
the middle of the 1960s. It contains the author's essential works,
implemented and non-implemented, as well as small designs and studies
(including stage designs). It provides apicture of how Belluš applied
his training in classicizing modernist tradition (under Wágner's
student, prof. A. Engl) to various periodic influences: at the
beginning, to avant-garde functionalist architecture (K. Honzík, of the
Purist Four) and later in the period of socialist realism, even to folk
architecture (particularly Renaissance from Spiš Region). The author's
typed memoirs are also deposited in the SNG Archive. This collection of
works is partially the donation of authors' daughter, Architect M.
Janotová, to the Slovak National Gallery and partially acquired through a
transfer from the Slovak National Museum.
The work of
another founding figure, architect D. S. Jurkovič, is represented in the
collection by five items (three of which are deposited items). The main
part of his work is deposited in the Slovak National Archive in
Bratislava. The work of representatives of the founders' generations is
followed by selections from the work of J. Štefanec (from 1929 to 1961),
F. Čapka (from 1940 to 1980), J. Svetlík (from 1950 to 1985), L.
Beisetzer (from 1942 to 1959) and J. Strumayr (from 1940 to 1972).
As
important as the works of Harminc and Belluš are for the collection,
the extensive set of works of modernist town planner E. Hruška,
purchased from the author's family in 1990, is also crucial. It contains
designs from the school work (undated), through early architectural
designs from the 1930s and town planning designs from the 1940s, up to
an extensive set of free drawings from the authors' journeys through
Slovakia and the world (Paris, Rome, Milan, Venice...). The manuscript
of Hruška's book K tvorbe urbanistického priestoru (On the Design of
Town Planning Space) with the author's drawings and analytic schemes or
diagrams (1983) forms another part of this set.
One of the
newer acquisitions is the early work of architect L. Foltyn, a Bauhaus
graduate. It contains originals and photo documentation of his student
work from Bauhaus, as well as the first designs and later manuscripts of
his historiography works. The gallery purchased this work from the
architect's wife I. Mojžišová, the art historian.
Another
large acquisition was donated by the author: available designs and
archive documentation were donated by architect V. Dedeček, the designer
of the key structures of architecture of the 1970s in Slovakia,
including the reconstruction and rebuilding on the premises of the SNG
from 1963 and 1968-69. The scale of the material captures the author's
work from the end of the 1950s until the beginning of the 1990s and
includes all his key buildings (University of Agriculture in Nitra,
rebuilding of the SNG in Bratislava, Comenius University Campus in
Bratislava - Mlynská dolina, University of Forestry and Wood Technology
in Zvolen, multipurpose exhibition centre in Bratislava - Petržalka).
The
youngest generation of Slovak architects included in the collection is
represented by our latest acquisition - expansive set of projects, three
dimensional models and photographs of implemented projects of architect
R. Janák - gained by the gallery as a donation from his wife in the
year 2012. It includes early projects of integrated interiors (interior
of Cinema Tatra in Bratislava, 1977 - 1979; Supraphon store in
Bratislava, 1984 - 1985), separate buildings (M.R. Štefánik Airport
Terminal Hall) and reconstruction of historical objects (reconstruction
of State Theatre Košice, 1987 - 1994).